The Cannibal’s Guide to Ethical Living by Mykle Hansen

This post originally appeared on I Read Odd Books

Book:  The Cannibal’s Guide to Ethical Living

Author: Mykle Hansen, illustrated by Nate Beaty

Type of Book: Fiction, bizarro, cannibalism

Why Do I Consider This Book Odd: Okay, it’s like a Jonathan Swift satire mixed with that long riddle people tell on road trips about the man who orders seagull and runs screaming out of the restaurant with a tasty helping of Occupy Wall Street on the side.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: Oh, this was a fabulous book, and it gives me an excuse to create a “cannibalism” category. It’s one of those books that is the exception that proves the rule. Hansen tells without showing and 90% of the book comes from the protagonist’s one-sided conversation with a man called Louis, both of which are in chapter one of  What Not to Do When You Write a Novel, but Hansen gets away with it.  Why André’s conversation is one-sided is one of those things I cannot reveal lest I utterly spoil the book. In fact, this is going to be a bear to discuss because I cannot reveal many plot elements without just ruining the book.

Bearing that in mind, here’s as brief a synopsis as my enthusiasm will permit: Aboard the good ship l’Arche, along the coast of an island called Cristobo, André and his partner Marko have been engaging in questionable culinary behaviors. One is that they serve unusual meats to millionaires. They lure in jaded millionaires with offerings like giraffe, dining aboard the ship in monied secrecy. But André and Marko also have an ulterior motive catering to millionaires – millionaires evidently make good eating and André embraces the idea of eating the rich. But millionaires also have friends with ships and the L’Arche is under siege as André and Marko scramble to find a way to escape. Louis, a long-time frenemy of André’s, plays a crucial role in all these goings-on but that’s where I have to stop. To discuss his role will expose too much of the story.

With the synopsis out of the way, but before I begin to discuss the meat of this book, as it were, I need to say that this is one of the better-written bizarro novels. Beautiful word flow, gorgeous word choice, decently-enough edited, I wanted to cry midway through it.  I mean, there were some editing issues, but lately I’ve been smacked in the face and possibly on the ass with several terribly edited books. This book was the reward for not chucking out all the strange literature I try to consume and sticking exclusively with Dickens and Austen until the day I die.

And it’s so wonderful that Hansen got that right because this is a novel that demands intense attention to words. When writing of foodie cannibals, one needs a fussy precision and Hansen pulls it off brilliantly. Hansen conveys the near-neurotic attention to detail that foodies often exhibit. Not being a foodie myself, I have no idea if this is food-gibberish or not, but it sure has a decided foodie-riff to it.

…before you leave this place I will prepare for you my Millionaire in Limousine: steaming roasted loin of venture capitalist slow-braised in Madeira, served on a bed of squid-ink cabbage poached with chestnuts and Lardons Millionaires. You’ve never had anything like it. I also insist you try my Aspic Sweetbreads of Heiress Dissolu, molded in a swine’s head terrine and tiaraed with clove and apple. So light and delicate, you’d think it’s made of perfumed dreams.

You see André takes very seriously the consumption of long pig.

This is no mere restaurant – it’s a cathedral of food! Pilgrims to l’Arche have by our rare and exquisite flavors been transported, transmigrated, have communed with the great mystery, have wept with joy, have been saved.

Eating rich men is evidently quite a religious experience. And it is through monologue like this that Hansen deftly creates intense characterization. André does very little in this book, and he speaks mainly to Louis, who never responds, but at the end you end up with André as a character-in-full.

Eyeballs Growing All Over Me… Again by Tony Rauch

This post originally appeared on I Read Odd Books

Book: Eyeballs Growing All Over Me… Again

Author: Tony Rauch

Type of Book: Fiction, short story collection, bizarro, gently odd

Why Do I Consider This Book Odd: It has enough qualities of bizarro and the gently odd that it is not mainstream reading fare.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: I’ve read Rauch before and found his collection of short stories in the book Laredo to be serviceable and entertaining enough to be worthy of a good review. However, Eyeballs Growing All Over Me… Again is a better collection. Less verbose, less neurotic, more confident – this collection is all together a tighter, cleaner, more relevant book. Rauch’s confidence as a storyteller has improved since I last read him. His stories show their purpose without a lot of hemming and hawing, sometimes even eschewing what I would consider a typical ending or a normal resolution. Not every story in this collection worked for me, but those that did not strike a chord likely failed to reach me for subjective reasons. With one exception, there isn’t an objectively bad story in the bunch.

That is not to say there were not problems. Like almost every bizarro book I read, this book had editing problems that were intrusive enough for me to notice. It’s a shame when an author writes a very good book and routine editing does not catch basic mistakes. This is an issue I continue to have with bizarro books as a whole and one I suspect will not go away anytime soon, yet I also suspect I will keep mentioning it until it stops annoying me. The most egregious issue with this book is that hyphens and em-dashes are used interchangeably. The interruption when I read hyphenated words and had to go back because I realized they were hyphenated and not words connected by an emdash was intrusive to the flow of the book. Perhaps this is a problem only in the e-book. Perhaps it was caught and I was reading an old copy. Who knows, but bear in mind this book did not escape the problem I often have with bizarro editing in other areas as well. On the other hand, this book does overcome one of the biggest complaints I personally receive about bizarro – the books are too short. While I don’t mind paying even for short books, I know many look at book purchases using a cost-benefit analysis and often find bizarro books too short for the price. That won’t be a problem with this Rauch collection.

This book is divided into three sections of stories and there are too many for me to discuss all of them, so I will stick to the ones I consider to be the best, though interestingly, I think the story from which this book takes its title is the weakest in the collection.

Population Zero by Wrath James White

This post originally appeared on I Read Odd Books

Book: Population Zero

Author: Wrath James White

Type of Book: Fiction, novella, extreme horror

Why Do I Consider This Book Odd: The extremity of the horror makes it odd by my calculations.

Availability: Published by Deadite Press in 2010, you can get a copy here:

Comments: For reasons that I have discussed in the past, I have been watching Wrath James White’s writing for a while. I was introduced to him via a collaboration that was so bad it remains in my top ten category for worst books I have ever read (Teratologist was the book, the sort of book wherein the protagonist’s name is spelled three different ways in one paragraph). So I sought out White’s web presence and his well-written, interesting blog did not mesh with the hot mess I had read so I gave him another chance. I next read Book of a Thousand Sins and saw that in some respects, my belief he was a far better writer than Teratologist presented him was justified. There were problems with that story collection, but White got enough right that I was heartened.

Population Zero is pretty much a vindication that my instincts were correct. All the issues that I saw in Book of a Thousand Sins were reconciled. Whereas characters might rant for pages on end in BoaTS,  in Population Zero the protagonist’s issues were woven into the plot and showed a character arc. White’s at times baroque writing style was a bit more restrained in this book and his characterization was excellent. The villain in Teratologist embodied Dean Venture when he declared, “I dare you to make less sense!” (Dean also had a terrible problem with his testicles, and the applicability of me telling you this will become clear as you read my discussion.)

There were some small problems in Population Zero that I am going to get out of the way before discussing all that was fabulous. First, the ending left much to be desired and that may just be my feeling on the matter. But the ending felt rushed and given the amount of energy others expended to get the protagonist to the end point, the ending felt wrong. Additionally, as the protagonist goes about his job, he delivers information that become obsolete with the Welfare Reform Act of 1996; tiny little points of social policy that I suspect only I would nitpick because they aren’t too glaring and because they flow well with the story White is telling. There are some small typos, as well. Someone tries to score “heroine” and a character “grinded” his teeth. They’re minor and not that intrusive, but they’re there.

(And it should be mentioned that if you are a social justice warrior, you will not like this book. The protagonist is very unsympathetic to the obese, to the poor trapped on a social treadmill of bad choices, and pregnancy in all forms. The protagonist is also a mentally disturbed, increasingly unhinged killer. In the past, when such a character had very unpleasant ideas, it was called characterization. In some quarters these days, it is a sign of a greater misogyny and class prejudice. I hardly think it so, but I have now given some of my more socially progressive readers clear warning that this book may not be to their tastes.)

Museum of the Weird by Amelia Gray

This post originally appeared on I Read Odd Books

Book: Museum of the Weird

Author: Amelia Gray

Type of Book: Fiction, short story collection, flash fiction, bizarro, gently weird

Why Do I Consider This Book Odd: Because the stories, if not technically classified as bizarro, are bizarro nonetheless. And when they aren’t bizarro, they are gently weird.  Sometimes outright weird.

Availability: Published by The University of Alabama Press in 2010, you can get a copy here:

Comments: I have a favorable disposition toward women named Amelia. I knew a girl in high school named Amelia Beebe and she was one of the most interesting people in high school, but whitebread suburban high school experiences being what they are, I don’t think she and others realized it. I also have a favorable disposition toward those who love cats and the first entry I saw on Gray’s blog was a discussion of losing a kitty to feline leukemia. We lost a kitty to the dread disease and my heart bled for her, reading that entry.

Lest you think I am going to give this book a favorable review because of my various favorable dispositions, please note that I did not know about the cats before I started writing this review, and already had my opinion about the book pretty well formed. Of course I knew her name is Amelia before I began discussing the book, but since I can find it in myself to detest writers with my own name, her name played into my decision calculus hardly at all.

It is her writing that ensured a rave review. Fanciful, strange, unsettling, oddly sweet, vaguely sickening, amusingly awkward, Gray has a writing style that ensured I went back and reread a couple of stories immediately after finishing the book, just because they were that good.

There isn’t a bad story in this collection, and my innate hypergraphia is taking a nap at the moment, so I will just focus on the best of the bunch.

Let’s begin with “Waste.” This was one of those stories that, as I read it, made me feel like I was going a little insane. It’s a strange piece that I found compelling despite the fact that I find eating pig horrifying. Perhaps I liked the story because Gray’s characters explore the whole, “when does it stop being pig and become pork.” A man who works collecting medical waste from doctors’ offices shares odd culinary experiences with his neighbor, a woman with lovely collarbones who works as a line cook in a vegetarian restaurant. Olive is an exotic foodie, creating culinary experiences out of the strangest meats, making a sickening but sweet sacrifice that Roger may not wholly appreciate but at least his experiences with medical waste gave him the stomach to cope. As a woman who loves to cook, is meat-shy, and given to feeling deep disgust for any body process that would require a medical waste pick-up, it was unusual how much I enjoyed this story. Sometimes I enjoy having my disgust pinged, I guess.

Food horror actually played a significant role in this collection. In “Dinner” a woman finds herself with the unenviable task of eating a plate of hair in order to ensure her relationship continues smoothly, even though no one particularly knows why the plate of hair is on the table or even why it is important. A short, short story, this read more like the retelling of an unsettling dream than a story, a dream I have not had myself yet understood.

This dream-like element to storytelling continues in “A Javelina Story” wherein a hostage negotiator finds himself paired with five javelinas at a hostage scene wherein boy scouts are tied to chairs. The pigs just want to eat, the hostage-taker misinterprets their actions and everyone learns an odd lesson.

Many of the stories are flash fiction, so short that you don’t really process the punch until you feel the bruise on your psyche. Take “Unsolved Mystery.” Very short piece about the investigation into a serial killer with a bonesaw. These are the last two lines:

What I don’t say is, God’s a clever bastard and I do respect him. He’s everywhere.

“Thoughts While Strolling” does what it says on the tin. This story spoke directly to my particular sense of humor.

Jim Hale better train his dog.

That dog runs the perimeter of Hale’s yard, treading the ground until he makes a ditch. Dog says, “Hey, come over here.” When you do, that damn dog gives you a recipe for lemon bars which omits egg yolks and disappoints you sincerely. 

Later in the story:

Frogs croaking.

Turn them over and tickle them, the young boys say to the girls. After much conversing and screeching, one brave girl picks up a slick frog, green as a fig. She flips it over so delicately in her small palm that the boys stop their shoving and feel strange for watching. The girl extends one slender finger and runs it slowly up and down the frog’s exposed belly. When the frog urinates on her, she looks at the boys with loathing. She will later go on to swallow two goldfish alive.

“Diary of the Blockage” made me nervous because I can all too easily see this story happening to me. After a particularly upsetting incident involving a large iron pill, Mr Oddbooks can tell you that I will likely die from a foreign matter lodged, “it seems, between my esophagus and windpipe.” The narrator of the story tries to get the substance to come up but cannot. And much like me, she finds it hard to seek help for her problem:

DAY 2

I did not call the doctor. I went so far as to find my insurance card, but I could not imagine the remember Miss Mosely, well she has had a thing lodged in her throat all within range of anyone with half a mind to be within earshot of the the office window. I feel very sincerely that bodily functions have their place, but why would the toiletries and makeup and personal privacy industries all be such multimillion dollar successes if the place for those bodily functions was in public? To say otherwise is to disrespect culture.

This story was really on the mark for me, a neurotic who is determined to stay well enough that I never need to avail myself of a bedpan, though I did once vomit on one of my cats because I was  slow moving due to leg surgery and had stomach flu. I sense this story may be a pregnancy nightmare, too, for the lump in the throat later takes on a life of its own, in a way. All I know is that it was very important to the paranoid part of me that now takes my evening pills in far smaller clumps.

The best story was “The Darkness.” A penguin and an armadillo meet at a bar. The penguin has Fought the Darkness and can speak of little else, and the armadillo has spread vegetable oil on her shell in an attempt to look pretty and shiny.

“You are a penguin and I am an armadillo,” the armadillo said. “My name is Betsy.”

“That’s a beautiful name,” murmured the penguin, who was more interested in the condensation on his glass. “I fought the darkness.”

“You did not.”

The penguin swiveled his head to look at Betsy. He had very beady eyes.

“What’s your name?” she said.

“Ray,” said the penguin,

“That’s a nice name.”

The penguin explains what he means by The Darkness and Betsy really wants to stay on track with flirting, changing the subject, but Ray demands his due.

“I suppose you think I’m some sort of lesser penguin, just because I fought the fucking darkness and tasted my own blood, because I haven’t protected a stupid fucking egg.”

Betsy felt tears welling up. Don’t cry, she said to herself. It would be really stupid to cry at this moment.

“I honor your fight. I did not mean to disrespect you.”

Ray sank back. “It’s no disrespect,” he said. “I’m just a penguin in a bar, drinking my gin out of a fucking highball glass for some reason.”

“I was wondering why they did that,” the armadillo said.

“Doesn’t make any goddamn sense,” said the penguin.

And it really doesn’t make any sense but the story is delightful nonetheless, encapsulating all that is so banal about so much of human interaction in these unlikely beasts as they attempt and perhaps succeed just a little at making some sort of connection. I read this one aloud to Mr. Oddbooks one night, unconsciously slipping into the redneck accent of my youth that I repress as second nature.

This collection was just too wonderful for me. A letter from a woman to her apartment complex complaining about the year’s Christmas decoration contest. One story told the strange tale of a man married to a paring knife and another married to a bag of fish. A man takes up residence in his suitcase, much to the dismay of his girlfriend. Vultures come and loom over an entire town. Bizarre, magical, strange, nauseating stories, all crafted from a mind so focused on my own nightmares and uneasy dreams that I felt myself becoming paranoid at times. Luckily, Gray is such a talented storyteller that her gift was greater than my nervousness and I highly recommend this book to all who find themselves wondering what would happen if one was able to splice Garrison Keillor, Bradley Sands and Raymond Carver into one writing force.

Permanent Obscurity by Richard Perez

This post originally appeared on I Read Odd Books

Book: Permanent Obscurity: Or a Cautionary Tale of Two Girls & Their Misadventures with Drugs, Pornography and Death

Author: Richard Perez

Type of Book: Fiction, transgressive (sort of)

Why Do I Consider This Book: The content is outre at times.

Availability: Published by Ludlow Press in 2010, you can get a copy here:

Comments: I’m in a slump. I don’t mind admitting it. I find myself reading mainstream fiction and sewing cat toys (if you want some, send me an e-mail). I look at the stack of odd books I need to discuss and I decide it’s time to clean the toilet or watch another barely coherent horror movie, and since Mr. Oddbooks got one of those Apple TV things, I have plenty. Lots and lots of really cheesy, really stupid horror movies. And every one of them seems more appealing than discussing books.

Is it a phase? Is my slump due to the fact that the drought caused the back of my house to sink an inch into the dried clay? Is it because I wake up every morning with a primitive need to pray to Tlaloc, begging him to just let it rain already? I’m not to the point that I’ll consider human sacrifice but I can see how it might come to that if this fucking summer will not end. Perhaps I will feel more kindly disposed toward my stack of oddness once the weather finally breaks and I can go outside without needing to go to the hospital after five minutes or so. Perhaps…

So I’m totally forcing myself to discuss books when I really want to be figuring out how to make my catnip fabric fortune cookies more realistic. And you should bear in mind this shitty mood of mine as you read any book discussion that occurs before Central Texas gets five inches of rain and goes two weeks without hitting 100 degrees.

Okay, Permanent Obscurity is not a bad book but it is not a good book either. The protagonist, in addition to lacking self-awareness, is one of the most tiresome, irritating, foolhardy, aggressive heroines you will ever read. She is best friends with a sociopathic, self-absorbed sadist. Together, the two of them, in the bowels of New York, decide to escape from the terrible financial situation they find themselves in by making a porno. Oh yeah, they owe a ton of money to a drug dealer. That should have gone without saying. The porno goes terribly wrong, as you knew it would, ending in a high speed chase and jail time.

The author tries to justify creating characters that irritate and annoy by saying, through the mouth of Dolores:

You better recognize this fact: People are complicated.

People are indeed complicated. Dolores, the heroine, and her friend Serena, are not that complicated, however. There is really only one complicated character in this book, a man called Baby who is in thrall, in a very controlled manner, to Serena. Everyone one else shows clearly how being completely fucked-up often passes for being complicated.

As I read this book, I imagined Dolores, our pregnant and drug abusing heroine, to be what would happen if you crossed the actresses Rosie Perez and Michelle Rodriguez with a fierce, constantly yapping Jack Russell terrier. I imagined Serena, the best friend who is hardly a friend and governed by a psychopathic self-interest, to be what would happen if you crossed Lindsay Lohan and any random porn actress with a Siamese cat.

Ruthless, edited by Shane McKenzie

This post originally appeared on I Read Odd Books

Book: Ruthless: An Extreme Shock Horror Collection

Author: Collection edited by Shane McKenzie

Type of Book: Horror, extreme horror, short story collection

Why Do I Consider This Book Odd: Extreme horror will always have a place on this site.

Availability: Published by Pill Hill Press in 2010, you can get a copy here:

Comments: I think that I may have reached my saturation point in terms of what can horrify me. I can recall the first time I saw the movie Scarface and watched the scene with Angel and the chainsaw. I was still technically a kid and I remember feeling nauseated and light-headed. It was the first time any form of media had that effect on me, but now it’s like every movie has a chainsaw, even the romantic comedies. Even so, it still happens from time to time, that feeling that I might vomit as I am being exposed to something terrible, but not often. The Throbbing Gristle song “Hamburger Lady” is the only form of media I can think of that still upsets me when I am exposed to it. It’s not even the lyrics. It’s the strange, gravelly but warbling siren sound that recurs in the song. My microwave makes a similar sound when the glass plate inside gets unstable, so my microwave also upsets me a little. It’s a sound that always makes me feel desolate, like no matter how good and careful I am that my life could still end up an exercise in pointless brutality disguised as medical advancement, that I could end up in a place of unending agony perpetrated against me for my own good. This is an unpleasant feeling to have come over one’s self when reheating leftovers.

That sense of nauseated terror or grim but panicked fear of pain is what I expect of extreme horror and it seldom happens anymore. It could be because I am too hardened, having exposed myself almost relentlessly to the real and fictional bad men can do. But mostly I think extreme horror often goes for the gross out, cartoonish violence that has no punch after the initial sense of “Gross!” The Three Stooges with cleavers. Luckily this collection has more good stories than bad, and given some of the really unimpressive collections I have read over the last couple of years, just being better than average means this collection stands above the rest.  But little of it was particularly horrifying as I read it, and that which did horrify me crossed the lines of a personal taboo that I suspect fans of extreme horror would not find that upsetting. There was no “Hamburger Lady” equivalent in this collection, but there was enough gross out combined with good writing that allows me to overlook the absence of the sort of extremity that can truly affect me.

God Is Dead by Ron Currie, Jr.

This post originally appeared on I Read Odd Books

Book: God Is Dead

Author: Ron Currie, Jr.

Type of Book: Fiction, short story collection

Why Do I Consider This Book Odd: This one is hard to classify as odd. It’s one of those books that is hard to classify as being in any genre. It resembles some of Vonnegut’s books in that regard, so perhaps that is enough to earn the odd label. Maybe it is odd because it made me wonder if there is a word for eating God. I guess theophagia works but I’d always associated that with the concept of communion. Is there a better word for literally eating the rotting corpse of God? If a book makes you ponder that question, it’s probably odd.

Availability: Published by Penguin Books in 2007, you can get a copy here:

Comments: I bought this book at Christmas time, and I very nearly put it back on the shelf because the cover appalled me. It features a dog sitting outside a cage. Inside the cage is another dog, curled up in a miserable little pile. I couldn’t tell if the caged dog was dead or asleep and not knowing made it worse. In fact, just thinking about the picture is making my stomach hurt a little. I cannot abide it when bad things happen to animals. This reaction taints a lot of my interaction with the world. I bought a Jack Ketchum book knowing full well the plot begins with the death of a dog and even so, I had to stop reading it. I just couldn’t take it. I hope Rugero Deodato, if there is an afterlife, spends a few years getting smacked around by a very large turtle and a couple of very angry pigs. So of course, given this tender-hearted tendency of mine coupled with my perverse desire to torture myself, I had to buy this book that featured a potentially dead dog on the cover being mourned by one of his own.

My instincts were right. This book was going to break my heart and I knew it before I opened it. The plot of this book is a cliche, a hackneyed conversation every wine-cooler and cheap beer-filled college freshman has had: what would happen if God died? But despite the fact that the premise is not original, this book is surprisingly fresh and frightening, at turns tender and sickening, hopeful and horrible. While there were elements that did not work as well as others, the fearlessness in which Currie approaches this story allows me to overlook its weaker parts.

Sorry I Ruined Your Orgy by Bradley Sands

This post originally appeared on I Read Odd Books

Book: Sorry I Ruined Your Orgy

Author: Bradley Sands

Type of Book: Fiction, bizarro, flash fiction, short story collection

Why Do I Consider This Book Odd: Well, one of the stories is called “Crawling Over Fifty Good Pussies to Get One Fat Boy’s Asshole.”

Availability: Published by Lazy Fascist Press in 2010, you can get a copy here:

Comments: We end Bizarro Week with Sorry I Ruined Your Orgy by Bradley Sands, and I need to remind you that today is also the last day you can run rampant in the comments in order to enter my free book drawing. I am giving away a free copy of each book I discuss this week, and here are the details on how you can enter to win. Comment freely. Comment with vigor. Comment with the knowledge that each comment adds to the sum total of democratic good in this world.

It’s fitting that I am ending this week with Sands’ collection of flash and short fiction. Some stories are absurd. Some are surreal. Some are really fucked up. Some are just a meaningless romp with words. Some are deeply layered and strangely touching. All of them have the demented hand of Sands going for them, but the breadth of story-type made this one of those collections where I am yet again struggling to find a common theme to unite the collection other than the relatively useless, “It’s good, read it.” So again, I am just going to discuss the stories I liked the best in the collection.

Misadventures in a Thumbnail Universe by Vincent W. Sakowski

This post originally appeared on I Read Odd Books

Book: Misadventures in a Thumbnail Universe

Author: Vincent W. Sakowski

Type of Book: Fiction, bizarro, short story collection

Why Do I Consider This Book Odd: It’s early(ish) bizarro and is very strange and sweet. I know for many that the word “sweet” is the kiss of death where a book is concerned, but this is sweet bizarro, not sweet like our moms would read. Although not having met your mothers, perhaps this is a bad call on my part.

Availability: Published by Eraserhead Press in 2007, you can get a copy here:

Comments: Bizarro Week continues onward with Vincent W. Sakowski’s Misadventures in a Thumbnail Universe. Don’t forget that I am giving away a copy of each book I am discussing this week and one lucky commenter will win all five. Click here for contest details and comment now, comment often!

Misadventures in a Thumbnail Universe was a wonderful surprise. The stories in this collection are creepy, surreal, beautiful, pulled from history and legend, and in one case, unconsciously reminiscent of one of my favorite speculative authors. Where Wilson’s stories creeped me out and where Rauch’s stories left me with a sense of emotional sadness, Sakowski’s stories left me feeling wistful. Using a traditional (more or less) plot structure and characterization, Sakowski’s stories invoke a sense of the unpleasant using the most beautiful language and present the utterly disturbing that registers as beautiful even as it appalls.

They Had Goat Heads by D. Harlan Wilson

This post originally appeared on I Read Odd Books

Book: They Had Goat Heads

Author: D. Harlan Wilson

Type of Book: Bizarro, fiction, short story collection

Why Do I Consider This Book Odd: Because there is some full-bore absurdity in this collection.

Availability: Published by Atlatl Press in 2010, you can get a copy here:

Comments: Day Three of Bizarro Week begins with They Had Goat Heads by D. Harlan Wilson, and before I begin to discuss the book, I want to remind you that one lucky reader will win a free copy of each book I review this week. Check out the contest rules and be sure to comment to enter!

Okay, on Monday, I discussed a book that is regular bizarro, with a traditional story framework but with outrageous and strange characters and details. Tuesday featured a gently weird book that focuses on the human experience more than the lunatic elements that can often be the trademark of bizarro. So it seems fitting that today we are looking at a book that is all over the map. It’s absurdist. It’s surreal. It alternates between hilarity and horror. It has a six-word story. It has flash fiction. It has short stories, consisting of simple vignettes and traditional plots. It has a creepy story that is made all the creepier because of the excellent illustrations accompanying it, making it a short, stylized graphic novel.

In fact, I’m unsure even how to begin the discussion. Thematically, I’m completely screwed. So I think I’m going to concentrate on examples of all the story types that I mention above.