I’ve been a bit busy lately. I know, that sounds weird to read because it is well known that I am the least busy person on the planet. If I run an errand, I need a nap and a diet soda upon waking. But since about December I’ve had a lot of energy. Lots of hobbies, errands, cooking, interacting with Mr. Oddbooks, and absolutely neurotic levels of cleaning have been going on. This burst of energy means my backlog of books to discuss is about to become not so backed or logged.
And it means I want to write here more, even when I don’t have book-related content. I will have book content Monday – a discussion of Wrath James White’s Population Zero – but until I post it, I want to discuss the music/noises I have been obsessed with lately. I’ve been resurrecting old writing of mine, looking at it and seeing if it is worth salvaging. Some of it is and one of the pieces I want to work on is deeply disturbing. When I work on disturbing stories, I cannot listen to my usual music. I find myself listening the most discordant, horrible sounds because my usual tastes may cause me to think of old friends, old activities and I end up reminiscing more than working. I need things that jangle my brain in an anonymous way.
Nothing I share below is new, though some of it is new to me. I’m sharing it anyway because I feel like sharing, dammit. And it’s not like this site is devoted to the latest in media anyway.
I’ve always been very interested in numbers stations. There’s just something very creepy and intense knowing that you may be listening to a coded order for a spy to kill an enemy agent or to take the cyanide pill. Yeah, none of that probably happened, but it’s still unnerving to listen to a form of communication and know you cannot now and will never know what was being communicated. So I’ve been listening to numbers stations recordings.
When that gets tiring, I listen to the Siberian Sounds of Hell. Anyone who has ever listened to Art Bell knows of them. Utter bunk, but distressing noise is distressing noise. I most often listen to a 20 minute loop of this I have on my computer, but this little video gives the “origin story” of these sounds.
And if you were an Art Bell junkie for any length of time, you probably already know of the call Art Bell got from a supposed frantic man who claimed to have worked at Area 51. Tool turned the call into a song called “Faaip De Oiad.” There’s something about this one that sort of messes with me if I listen to it long enough. I have absolutely no idea why.
Then there is this little gem. I found this one several pages back on a Google search for “horrible noise.” I’m not really into noise rock so that may explain why this has been out for two years and I never heard of it until recently. I play this one in a loop for hours as I think. And again, for whatever reason, there is something about this noise that is troubling to me. Much of the this song is distressing, especially the line, “Our bones won’t grow in the dirt.” That was enough on its own to be unsettling, but then I looked up the band and found this video. Now I associate all of the noise surges with screaming and the line about bones has a more sinister meaning. And then there’s the whole story in the video. Is the victim a girl or a boy? How long was he or she held in captivity, because the smeared make-up and dirty socks convey the idea of a lengthy abduction. The madman is in his underwear. Did the victim thwart a sexual attack and flee? Is the camera pan comparing the legs of the running victim and the madman telling us something? How about the manner in which the victim knew the exact place to hit the femoral artery? What does that tell us? Anything? Nothing? In a way this video encapsulates all that is amazing in story-telling – giving enough information to draw us in and leaving out enough so that we are forced to think. This one is gory as hell so if you are easily freaked out by such things, don’t watch.
I never really liked Aphex Twin but this was part of my background noise when writing long before I saw the video.
And then there is the always horrifying “Frankie Teardrop” by Suicide. The screaming, oh the screaming. The relentless drum machine. This is madness in the form of a song.
There’s more but six videos for one entry is more than enough, I think. Please share with me the music that helps you work, the music that terrifies you or the music that fills you with nauseated dread.