Tag: Bizarro Fiction

The Ballad of a Slow Poisoner by Andrew Goldfarb

This post originally appeared on I Read Odd Books

Book: The Ballad of a Slow Poisoner

Author: Andrew Goldfarb (Gah, I cannot find a site for him – if anyone knows his blog or site [no Facebook, please] let me know and I’ll link it asap!)

Type of Book: Bizarro, novella, fiction

Why Do I Consider This Book Odd: Well, a monkey, something called a Slub Glub and a guy named Millford travel the world, to the sun and back and solve a mystery in a hot air balloon. And they break into song periodically.

Availability: Published by Eraserhead Press (my god, I think I type the name of this publishing house more than I type my own name), you can get a copy here:

Comments: I’ve been reading a lot of bizarro and I realize that this is my third bizarro review in a row. I’m gonna mix it up, I promise. But until next time, I have to say that this was the sweetest, most charming, happiest book I have read in a long time. It was a fairy tale combined with a really positive acid hallucination combined with a hokey 1950s musical. I could not have loved this book more had it baked me brownies when I was finished reading it.

Each chapter was quite short, the storyline was amazing and loony and to give even the smallest plot encapsulation risks ruining the book, but I will try anyway: Millford Mutterworst suspects he is being poisoned and his ever increasingly flat elbows prove him right. A series of unlikely events lead him to take flight in an air balloon with a squid-like creature called the Slub Glub and a monkey. He travels to the sun, to South America, the Slub Glub almost gets eaten by an alligator, and the monkey via quick thought and action save their collective asses a couple of times. His alarmed fiancee, Edweena Toadsweater, takes off after him in a boat, where she saves a ventriloquist’s dummy from drowning, but not the ventriloquist, sad to say. There is a climax aboard a boat captained by Millford’s mother and it all works out in the end.

Oh yeah, they break into song periodically. It’s awesome, having a book serve as a musical, and as someone who hates musicals, this is no small statement from me. The songs are captivatingly silly.

Oh yeah part two, Millford is also married to the sea. Literally. His parents betrothed him to the large body of water when he was young. That’s why Edweena is merely his fiancee.

Oh, what a wonderful, absurd little book this was. This is a short review, possibly the shortest I will ever write, but as I said, there is no way to discuss it in depth without ruining it. I think if you are having a bad day and need some light, lovely, absurdism to cheer you up, this is the book to read. Eighty chapters, most a page long, ridiculous songs, amusing illustrations – you can read it in a sitting and then keep it on hand to lift your mood on that inevitable cloudy day when your boss yells at you, you get a flat tire, and you realize your tea tastes funny for a reason.

Extinction Journals by Jeremy Robert Johnson

This post originally appeared on I Read Odd Books

Book: Extinction Journals

Author: Jeremy Robert Johnson

Type of Book: Fiction, bizarro, novella

Why Did I Consider This Book Odd: Because I walked into it knowing it was about a man with a suit of cockroaches. Also bizarro.

Availability: Published by Swallowdown Press in 2006, you can get a copy here:

This novella is also available in the Bizarro Starter Kit (Orange), which has the works of other bizarros in it as well. I always recommend giving money as directly to the author as you can, but this could be a nice intro to bizarro for new readers. Gina Ranalli’s novella, Suicide Girls in the Afterlife, also reviewed here, is also in this edition.

Comments: I was discussing this book with Mr. Oddbooks and trying to explain it. Mr. Oddbooks is a prosaic sort of guy, whose reading tastes run towards tales of the open sea and computer manuals. “So why was the President wearing a suit made of Twinkies? Did he really think that they would protect him from the effects of nuclear war?”

I had to think about it. “I’m not sure. Maybe because they are so filled with preservatives? But that’s not what’s important…” And therein lies the awesomeness of bizarro when it is done correctly. Outrageous, surreal story-lines with insane details that once you are accustomed to reading such details, they don’t really even register. You get into a headspace where you have to say, “Well, why wouldn’t the President be wearing a suit made of Twinkies.”

I said in another bizarro review that you cannot go looking for plot holes in bizarro because you will find them. This is not a medium in which reason means much, surrealism and wonderment taking a far more important role. This was a fine example of bizarro, and a fascinating book regardless of genre.

To give a bare-bones plot description: A man who anticipates a nuclear holocaust designs a suit made of cockroaches in order to survive. His suit eats the President, who was, as I mentioned already, unwisely encased in a Twinkie suit. He meets God, or a God-like spirit who has come back for mankind only to find a few men left on Earth. He travels the remains of the world looking for safe food and water and meets a woman who has survived with the help of ants. Together they have to stop a formicary adversary who means to conquer what is left of the world.

The novella is filled with subtle humor. Take this passage when the protagonist, Dean, meets the God-like spirit, known as Yahmuhwesu. Yahmuhwesu is having trouble getting the Rapture to start and needs the help of… well, someone else:

“How much do you know about super-strings? Whorls? Vortex derivatives?”

“Oh god, nothing at all.”

“Okay, that doesn’t help. Is there someone else around here that I can talk to?”

I am almost certain that would happen to me at the end of the world. I suspect most of us sense we may not be wholly spiritually worthy to stand in the presence of the Divine but really, perhaps we need to work on our math skills instead of morality.

Dean is an odd man, a man who evidently saw a lot of the world before the bombs fell, with many experiences that make coping with a destroyed Earth a bit difficult.

…he realized he should have hooked up a gas mask instead of a portable breather unit.

But he couldn’t submit himself to that level of suffering. Dean had a severe aversion to having his face enclosed in rubber; an extraordinarily rough time with a dominatrix in Iceland had forced him to swear off such devices.

While I could not really connect to Dean or any of the other characters in the book, that is okay. It’s hard to see how one could connect with an expert on cockroaches who travels a post-apocalyptic world on his back, carried by the hearty cockroaches he has sewn to his suit, roaches he eventually develops a wavelength with. But Dean’s thoughts are interesting and ultimately, his mind and his actions have enough universally human about them that we recognize our own feelings in some of what Dean does. After a battle with a deranged ant-expert, Dean thinks:

One day you fall asleep happy. Next to a river under a dark sky. Then you wake up and everything has changed. Including you. You changed so much that for the first time you actually risk your life.

For what?

Love. It’s as good a word as any. It will do.

And you’ve gone so crazy with this feeling, call it love, that you find yourself in an absurd situation, humming moaning at telepathic bugs and killing brainwashed entymologists.

I know.

It sounds silly.

But it feels important at the time.

And this passage pretty well sums this book up: Absurd, silly, yet ultimately important. There are overtones of Aqua Teen Hunger Force. There is a sense that Vonnegut could have written this. It mixes the sublime and the ridiculous superbly. I very much like this novella and recommend it. I look forward to reading more of Jeremy Robert Johnson in the future.

Suicide Girls in the Afterlife by Gina Ranalli

This post originally appeared on I Read Odd Books

Book: Suicide Girls in the Afterlife

Author: Gina Ranalli

Type of Book: Bizarro, fiction, novella

Why I Consider This Book Odd: Ultimately, this was not such an odd book, but it is classified as bizarro and is published by Afterbirth Books, an imprint of Eraserhead. Since I review all my bizarro reads over here, this is where I decided this book should go.

Availability: You can get it here:

But obtaining this novella via The Bizarro Starter Kit (Orange) would be an infinitely better purchase. In this volume you not only get this book, but also novellas and short stories from other bizarros. Check out the kit here:

Comments: I found this book to be a sweet and charming read, but it was not what I expected and I find myself mostly lukewarm towards it. The premises – that basically every act of self-neglect, from overeating to failure to procure proper health insurance is suicide, that Heaven and Hell are under construction, and that there are levels of worthiness in Heaven – are not that bizarre. I suspect every college freshman has had a similar conversation. The idea of Satan as a goth and Jesus as a hippie are also… trite. God, I hate using that word, but there’s nothing new in the concepts and, in fact, they are common enough tropes that to see them in a bizarro book is jarring.

Okay, that’s fine, in a sense. Even in bizarro, there does not necessarily need to be something new under the sun. Bizarros retell iconic stories filtered through their own whacked-out lenses and they work more often than not. But this story was not grounded in the insane enough to forgive the various issues I had.

For example, if a book is bizarre and original enough in concept, I don’t mind if I don’t connect with the characters. I loved Jeremy Robert Johnson’s Extinction Journals, which I will review here soon. It was like nothing I have read before and the insanity of the concept was such that aside from some very shallow connections, there was no way to relate to the characters. Conversely, in some of Andersen Prunty’s short stories, the elements of magical realism in some of the pieces are mild, and some of the stories are just odd vignettes, but as tame as they can be compared to the mind of, say, Carlton Mellick III, they have an undercurrent of connection that permits the reader to relate to the characters, a pathos that bridges the gap between high weirdness and basic humanity. Ranalli comes very close to pulling this connection off in Suicide Girls in the Afterlife but ultimately, I didn’t feel it.

The protagonist, Pogue, committed suicide by electrocuting herself. She gets to the Afterlife and finds herself in a hotel until Heaven and Hell are no longer under construction. She is assigned a floor and the closer the floor is to the basement, Hell, the lower you are in the Afterlife’s hierarchy (purgatory is sandwiched between floors like John Cusack’s office in Being John Malkovich). Pogue meets another young suicide named Katina and within minutes of landing in Pogue’s room, they are bored and start exploring the hotel. One is not allowed to go to floors above one’s assigned room so they go down, with the help of a robot named Jane 62, meet denizens of lower floors, visit Hell, meet Satan, visit Heaven, and meet Jesus.

The book ends with the sort of conclusion that makes me a little nuts – was it all a dream, was it all a relativist examination of the human condition? Did Pogue not really die and was just having an electric brainstorm wherein she recreated all facets of herself into characters in her hallucination? Probably the latter and I just don’t like endings like that. This is a personal issue, I realize, but I’ve endured far too many books where such endings were cheap tricks to end that which is difficult to conclude. Others may vary wildly on this one but I cannot recall a single book I have read short of The Wizard of Oz, wherein “It was all a dream!” did not leave me feeling cheated.

There are brief moments of bizarro grotesqueness, like the shit tornados that sweep through hell and the man who is… well, committing acts of pedophilic necrophilia. There are moments of bizarro brilliance, like the food permitted on Pogue’s floor is all pie – Opera Pie, Rock Pie, and it makes a cacophony as you eat it, if you can take the noise.

But overall, the book just isn’t that odd and the story too shallow to make up for the lack of oddness. Seriously, you cannot go looking for plot holes in bizarro because you will find them. Seemless plots are not needed here, thank you. It is best just to wallow in the strangeness, the newness of ideas, the grossness of the story, the craziness of the narrative and characters. But you can’t do that in Suicide Girls in the Afterlife because the story does not employ enough true slipstream to enable you to get into the bizarro headspace that permits you to overlook plot issues and characterization problems. In bizarro, characters come and go senselessly at times, subplots dead end and the plots loop wildly, often not making sense and you overlook it because sense is not the point. In a story that has the sort of order assigned to it that this book does, as well as a narrative that is so grounded in popular imagination that it is essentially a retelling of Judeo-Christian mythos, random characters and plot issues stand out.

For example, the Salvadore who meets Pogue to escort her to the hotel? No idea what he was or who he was meant to be. Another character informs Pogue that Salvadore does not meet suicides as a rule, that he mainly escorts the rich white people who make up the upper echelons of Heaven, living on the top floors of the hotel. With his pencil thin mustache, I am reminded of Salvador Dali but I am unsure what connection to make from that. The hotel is too regimented and makes too much sense for a any surrealism to be at play. And why did he meet Pogue if he generally meets those from upper floors? No idea. And the character who explained it? In a throwaway line we are told she is really a cross dressing man. Why is this important? No idea. Jane 62 explains that there is not a Jane 61. I guess her name is just supposed to be… wacky? Inexplicable? Salvadore explains that those who are already in Heaven and Hell are fine, but the newcomers must stay in the hotel until renovations are complete. So why are Jesus and Satan there? Presumably they had a place in the old Heaven and Hell and do not need new accommodations. These are the sorts of plot issues that one should not have to think about in bizarro literature.

To address the characterization issues I had, Pogue and Katina are two of the most unlikely suicides I have ever read in print. Both are inquisitive, engaged, almost perky in their excitement to roam and discover what is what in the afterlife hotel. Why did Pogue commit suicide? We are only told she had her reasons. If there is a veil in the afterlife that wipes away the spiritual angst and misery that causes suicide, we are not informed of it. They are both fun to read about, however, one of the graces in this book, and that they both seem like restless, happy girls, neither carrying the cosmic burdens that suicide implies, is a problem.

And therein lies the problems I had with this book: Either the bizarre needs to be so outre that a personal connection is not needed and the awe and wonder at the world created overshadows the mundane needs for proper plot, or the mildly weird needs to make a connection with us, which requires it to make sense as well as probe certain universality of feeling. This book is neither fish nor fowl. It does not offer a paradigm amazing enough to suspend disbelief and it does not offer an odd conduit to real emotion. It is too normal for one, too shallow for the other.

Add to it that I read it in under two hours, and I suspect I cannot really recommend this book to anyone. That is not to say that I will not read Ranalli in the future. Far from it. I have read descriptions of the plot of Mother Puncher and it sounds crazy and dystopian enough that I hope it skirts the ho hum qualities of this book. Ranalli’s work is quite readable. Her prose is sound and in some places, a thing of beauty. That I found this book lacking did not reflect on the quality of the prose itself – she had very few clunker sentences and in a way, the fact that she can write well made disliking this all the worse. But this story simply did not work for me, given it’s brevity, the lack of unique plot, the problems with the plot and the seemingly inappropriate characterization.

Piecemeal June by Jordan Krall

This post originally appeared on I Read Odd Books

Book: Piecemeal June

Author: Jordan Krall

Type of book: Fiction, novella, bizarro

Why I Consider This Book Odd: I hate to keep invoking the name of Eraserhead Press, but there you go. I also read a synopsis that led me to believe this was an utterly lunatic book. It didn’t even come close to describing the lunacy.

Availability: Published in 2008 by Bizarro Books, an imprint of Eraserhead Press, you can get a copy here:

Comments: Oh dear Lord. How do I even begin? Because I am a closet pervert, I ordered this book thinking it was going to be a bizarro pornographic romp. It isn’t, not really, even though the June of the title character is a sex doll come to life, created in the image of a porn actress, and the main character, Kevin, has sex with her. Despite that, this is high bizarro that leaves me conflicted. Too many descriptions of sweat and feet and more feet. But there is a cat. An awesome cat. So you can see my dilemma.

There are moments when you simply cannot give an adequate synopsis of a bizarro book, and this is one of those moments. So just let me throw out some sentences that sort of attempt to explain this book. There are crab people from what I think is another dimension and the unethical pornographers who do their bidding. There is also a crab king called Simon. He loves the real actress June is based on. He has sex with ears sometimes, or mashed together body parts of the people the crab men kill, squashed together into weird, perverse configurations. There is a guy named Kevin who lives over a porn shop. There is a cat called Mithra who delivers pieces of June until Kevin has a full sex doll, but also gives tarot readings and drops meaningful cards at the right intervals. There is a seer named Latrina whose back is a swirling sewer and who travels via toilets. There is a brain-damaged boxer. There is an ending that will make you wonder if you have, in fact, gone temporarily insane.

So with that out of the way, let me focus on the two elements of the book that remained with me after reading it: FEET OMG FEET and the awesome cat.

Kevin, the protagonist, has a penchant for feet. Now bear in mind, at one point a toilet explodes in this book, spreading filth far and wide. One character is pretty much a walking sewer. Poo does not bother me. Hell, I would go so far as to say that I find poop pretty funny. I’m not into scat but damn if scatological humor doesn’t make me laugh my ass off. Fart jokes? I’m your girl. And all the sweat the disassembled June emitted was unpleasant but I could cope. But feet? Sweaty feet? Smelly, sweaty feet? As my friend Arafat would say, “Jesus Allah Fuck!” I very nearly went fetal during parts of this book.

Take, for instance, this passage:

He put his nose to the toes and inhaled the stench. It was as if his brain became a television and he watched as a teenage Kevin knelt at the feet of his high school Spanish teacher. She was a statuesque older woman who forced him to first massage her feet while he sniffed them. Then she peeled a banana and fed it to Kevin using only her feet. He could still taste the fruit mixed with the pungent flavor of Ms. Booth’s soles.

Mithra meowed and brought Kevin’s attention back to the bedroom. His nose was still touching the top of the foot. There was something in between the toes. He stuck a finger in there, cleaning out the gunk. Bringing the finger to his nose, he smelt banana. Kevin was pleasantly shocked. The sex doll’s foot has banana-flavored toe jam.

Emphasis not my own and I very nearly cried typing that out.

But that wasn’t even the worst of it. My fellow fearers of feet, behold:

…. Regina, the manager, called him into her office…. Every day, without fail, she came dressed in a skirt, pantyhose… Regina babbled on with rhetoric and rhetorical questions while Kevin stole glances of her pantyhose and scuffed black slip-on dress shoes. He wondered if they were sweaty… Were the pantyhose freshly washed or was she wearing them for a while. Would her feet have an additional vinegar stench?… Regina lifted her left foot up and the shoe fell off of it. Kevin first saw the bottom of her foot, the pantyhose were linty and worn thin. Then the smell hit him.

God. Jesus, Jordan, what the hell?

I may be taking this too hard. I sold shoes to get through college. I had some… unpleasant days at work.

Okay. Moving on.

So even if feet scar you a bit, Mithra can help. Mithra rules. Mithra the Cat makes up for all the feet in this book and then some. He is the coolest fictional cat ever!

Sadly, I had to leave the feet above the jump and put Mithra under because telling you about him may have spoilers, as such, if a book like this can be said to have spoilers.

Sea of the Patchwork Cats by Carlton Mellick III

This post originally appeared on I Read Odd Books

Book: Sea of the Patchwork Cats

Author: Carlton Mellick III

Type of Book: Fiction, Bizarro, Novella

Why I Consider This Book Odd: Carlton Mellick III. Eraserhead Press. Bizarro. It should all be clear to you now.

Availability: Published in 2006 by Avant Punk, an imprint of Eraserhead Press, you can get a copy here:

Comments: I wasn’t real happy with the last CM3 book I read. Which surprised me because I generally find all of his works something to talk about, not something to rant about. I had read Sea of the Patchwork Cats a while back, but due to a cat-related emergency (my cat that looks like Hitler lost a leg to injection-site sarcoma and I sold around 2,000 books to finance the surgery), I sold my copy. I recently bought it again, and this book reminded me of how I became so enchanted with the bizarros.

CM3 at his best has an earthy, yet ethereal quality to his prose. This is such a contradiction that in a sense, all I can say is that once you read him, you will understand. The often outre subject matter is filtered through a poetic mind that finds beauty in ugliness, romance in horror, happiness in despair and doesn’t need to use ten words when one will do. His prose style often reminds me of Hemingway with its word conservation. Which for me is a good thing because simple phrases permit me to fill in the blanks, to create visions in my head. I am one of those people who could not care less what the characters in books look like because ultimately, I decide what they look like even when the author tries to tell me. If you are one to prefer lots of descriptives, you may disagree. As always mileage varies, etc.

I am also a fan of this sort of clipped sentence structure, because it harks back to one of the grandfathers of weird, Bukowski, a writer who defiantly refused to set scene. Many bizarros also refuse to set too much scene. The subject matter – an alcoholic, lonely man whose better nature has been masked by the drink – is also an homage, even if unintended. And think of it this way: It requires a boatload of talent to tell the story of a completely different world when practicing word conservation.

Sea of the Patchwork Cats is the story of a man who awakens from a drunken stupor to find that the entire world committed suicide while he was out cold. He takes up residence in a house that eventually is swept out to sea. After spending time adrift in a sinking house, he eventually comes to rest next to a stone house carved to resemble two women sitting back to back. He finds what he thinks are human women encased in ice inside the sinking ship of a house and manages to rescue three, only to find they were really victims of a bizarre porno scheme to breed human women with animals. Once inside the house, the house takes on qualities one would associate with a Danielewski novel. It shifts, it changes internally, but one constant are the calico cats who live inside the house. Eventually the man and one of the animal human hybrids have to come to an unsettling agreement with a spirit in the house to be able to live there.

And as always with a bizarro novel, a plot synopsis does so little good in describing what the book really is, what it is about and what it means. It is both an end of the world novel and a novel of new beginnings. It is a story of entrapment and of freedom. It is a story of horror and of beauty.

And don’t think I’m a sucker for it simply because there are cats in it!

Sex Dungeon for Sale! by Patrick Wensink

This post originally appeared on I Read Odd Books

Book: Sex Dungeon for Sale!

Author: Patrick Wensink

Why I Consider This Book Odd: Well, Eraserhead Press published this book, and they are generally a pretty good weather vane for oddness. But I also suspected the book was odd because the author contacted me so he could send me an ARC because he wanted me to review it (yes, an ARC!!! I swear to god I almost wept because only certified, authentic reviewers get ARCs, right? Right?). If an author reads this site for any reason, chances are his literary output is going to be odd.

Also, I heartily encourage this trend of sending me actual books. Not only would I get free books, but my delusions of grandeur mean I am likely to review said book because I am still in the early OMG THIS MEANS I AM A REAL CRITIC stage of the game. So yeah, send me your odd books, odd authors. Also, I am not above using the emotion card, so send them to me because I love you. All of you. Even that weirdo living in a basement who keeps e-mailing me chapters of his novel about his dog’s wang.

Type of Book: Fiction, short stories, flash fiction, bizarro

Availability: Published by Eraserhead Press in 2009, you can get a copy here:

Comments: Okay, yeah, this was my first book offered to me because I review odd books, but don’t let that make you think I am gonna give this book a sweetheart review on that merit alone. Also, I’m not giving it a sweetheart review because I’m a known sucker for flash fiction and short, short stories. I’m giving it a sweetheart review because it is a good book. The stories, some odder than others, are all pretty solid, and one of the stories has resonated with me as being not only a clever concept, but haunting and upsetting.

This book may actually be a good bridge into bizarro for some readers because while it is odd, it does not cross wholly into the full-bore weirdness one experiences reading Carlton Mellick III, one of the best-known bizarros. Additionally, these stories are very much, for the most part, grounded in reality, not incorporating the heavy use of magical realism that one sees so much of in bizarro. I find magical realism amazing when done well, but it is no black mark against Sex Dungeons for Sale! that the stories are so grounded. I know many think that bizarro is schtick, the replacement for pulp sci-fi for a more jaded generation and they are wrong. While bizarro’s certainly entertaining, increasingly the writers in the genre produce literary quality works, pieces that would not be out of place in Zoetrope or Zyzzyva. That is why I think, for those who want to dip their toes into high weirdness, Wensink’s book would be a good starting place. I could see some of these stories in edgy mainstream lit journals. They are odd, but odd in a way that is extremely relatable.

Wensink’s stories are clever, amusing, and in one case, disturbing

The Menstruating Mall by Carlton Mellick III

This post originally appeared on I Read Odd Books

Book:  The Menstruating Mall

Author: Carlton Mellick III

Why I Consider This Book Odd:  Carlton Mellick III wrote it.  That’s your gold standard to predict oddness.

Type of Work:  Fiction

Availability:  Published by Afterbirth Books in 2005, this book is still in print.  You can find it here:

Comments:  First thing I have to say is that I like Carlton Mellick III (CM3).  I like him a lot.  I would say bizarro fiction is in my top two fiction genres – the other being traditional mystery, oddly enough – and as the genre’s most prolific writer, there is no real way to love bizarro and not love CM3.

This having been said, I had issues with The Menstruating Mall.  These problems annoyed me to the point of anger in another venue, which was weird because generally I don’t take fiction quite so personally.  I considered whether or not reviewing it here after foaming at the mouth so ill-advisedly, but after considering why I disliked this book, I decided to go ahead and review it here because ultimately, only one of the issues I had with the book really had anything to do with the actual writing of the book, the only thing one should ever mentally associate with the author.

The Menstruating Mall is about a cast of stereotypes – the white kid who thinks he is black, the goth chick, the hot chick, the self-righteous Christer, the redneck, the closeted homosexual etc. – who find themselves unable to leave the shopping mall.  Because the mall is discovered to be menstruating, people stop coming in, and those who cannot find it in themselves to leave hope that once the fertility cycle is over, they can leave.  But before that can happen, murders begin and the stereotypes find themselves picked off one by one by a murderer who challenges the stereotypes that define them.

This book is both an homage to Luis Bunuel’s “The Exterminating Angel” and Agatha Christie’s “And Then There Were None.”  It is not just a book about liberation from consumerism – it is about liberation from all the mindless forces that compel our behaviors.  The deliberately stereotypical characters are humorously and deftly handled, and when some deviate from what is expected of them, it is refreshingly unpredictable.  Most of the book is an entertaining read.  The only quarrel I have with the book that I can lay at CM3’s feet is that I wanted more.  In a way, this is a backhanded compliment, because when I have written fiction and people have commented they wanted more, it was flattering (yet my attitude is generally that what I write is what you get – go figure).  In The Menstruating Mall, I had this intangible feeling that CM3 got tired of writing this book.  The last three pages easily could have been 30.  Mellick made his readers care about the cast of characters enough that what happens at the end is as interesting as what happens in the beginning and middle, and it could have been fleshed out more.

The rest of the issues I had with this book had to do with its appearance and editing.  The font size annoyed me to no end.  I didn’t actually measure it, but it appears as if the book is in 18 point font.   In some of CM3’s earlier works, such large font gave an appearance of a sort of fairy-tale, children’s book vibe.  Even if used ironically, it was a bad choice for this book, which is decidedly inspired by mature tales and contains decidedly mature material.

An end result of what I call YELLINGLY LARGE FONT is that the reader, when ordering the book, thinks they are getting a novel, or at least they are if they go by Amazon’s page count (the book itself, extra annoyingly, has no page numbers).  This was a novella at best.  It is hard not to be annoyed when you realize that a 200+ page book would have been a 50 pager had conventional publishing standards been followed.

Another end result of YELLING LARGE FONT is that any and all editorial errors are all too evident.  All books have editorial errors.  I recall recently reading a supernatural mystery published by a major publishing house wherein “of” was used for “have.”  This was not done in conversation to show a character whose command of grammar was poor.  It was done throughout the entire book.  After what seemed like the millionth “he realized he should of gone to the hospital/toilet/remedial English class,” I had to put the book down.  It was just too painful. Most of the time, editorial errors are not too egregious but even in casual reading, I sometimes find spacing and punctuation issues in even the most immaculately edited books.  It happens.

But when confronted with 18 point font, a book better be edited pretty closely.   I realize most readers are not as overwhelmingly anal as I am, but The Menstruating Mall’s editing set my teeth on edge.  Word substitution (here for hear, phase for faze), misspellings/mistakes (exists for exits) and spacing problems distracted me heartily. Some may place editing in the purview of the author, and to a certain extent it is, but publishers have copy editors. Authors should catch errors in their works but take my word for it – when you’ve worked on even a short story for more than a week, your brain will matrix in what you meant to write, blipping over what is on the printed page.

But most annoying to me were the illustrations.  This is utterly subjective, but I did not like them.  Most reviews of the illustrations are positive, that needs to be said.  The illustrations are parodies of ads of mall stores, and despite the crude drawing style, they were clever enough at first.  But the joke wore thin for me as the ads lost their cleverness and became cruder and cruder, more and more pointless.  On some level, this may have been intentional to show the mind-numbing horror of mall shopping and advertising in general, but the drawings were not good enough or the jokes clever enough to justify the sort of pointless crudeness.  At some point, inversions of advertising became ill-conceived cartoons that just crapped everywhere, which again may have been the point.  If it was the point, it seemed too heavy-handed. When someone who finds poo as funny as me gets bored, it may be the art and not the reaction.

Ultimately, this book will stay in my collection because I like CM3.  I love Fay Weldon and I have absolutely no idea why she thought it a good idea to write She May Not Leave, which was one of the worst and most pointless reads of 2007.  But it’s still on my shelves because I love Fay.  I think that is the fate of The Menstruating Mall, to be kept but never read again, simply because I love the author, find his body of work admirable and want his complete bibliography some day.

The Overwhelming Urge by Andersen Prunty

This post originally appeared on I Read Odd Books

Book Title: The Overwhelming Urge

Author: Andersen Prunty

Why I Consider This Book Odd: It was published by Eraserhead Press, a print house that embraces bizarro authors.

Type of Work: fiction, short story collection

Availability: This book was published by Eraserhead Press in 2008 and is available through a number of sources, most notably Amazon.

Comments: You can acquire the taste for bizarro fiction, but more likely than not, you are born loving it. Many can read bizarro fiction and wonder, “What the hell was the purpose of that?” and toss the book away, the literary equivalent to the reaction many had the first time they saw David Lynch’s Eraserhead. But as a genre, and a relatively new one at that, bizarro fiction goes much deeper than just the surreal and insane (possibly unsane) tales the authors present. Underneath crazy tropes, nightmare landscapes, and outright absurdity lies much more if the reader is willing to untangle the words, suspend disbelief, and enjoy the ride

Andersen Prunty’s The Overwhelming Urge already had a mark in its favor, as I love flash fiction when done well (and it is very hard to do – try and tell a story in 1000, 750 or 500 words or less). Prunty does flash well, and there are a couple of short story length pieces in the book. His spare writing style can cram a lot into a few lines, and in the midst of all the absurdity, there is a pathos that drew me into the stories.

For example, in the story “Bully,” the trope is that the protagonist sent a story to the wrong sort of venue and the editor not only rejected it, but showed up at the protagonist’s home to challenge him to a fight. As one reads the description of the bully and the protagonist, then looks at Prunty’s author picture on the back page, the resemblance between the three is clear, and one wonders if this tale is possibly a clever, short look at the writer’s war with himself. The mistakes, the potential for humiliation, the sense of horror when work is rejected by peers. Of course, the story is littered with strange details that could mean the piece is simply an attempt to entertain using absurdity, but as someone who tries herself to write fiction, I left the piece with this interpretation.

I also loved “The Bright Side,” a piece where a young man’s father is having trouble drinking a beer, which is understandable since his father is an antelope. The father asks the son if he is embarrassed by him, and the son denies this, pouring the beer into his cupped hands so his father can lap it up. Yet later, he realizes his father must have sucked up all the spilled beer from the carpet, and he cringes at the thought. As his father tries drunkenly to walk on his hind legs, the son wonders, with trepidation, what the old man will do next. You can shoot me in the head now if the changes in our aging parents have not led to similar feelings of love combined with dread.

Some of the stories are straight up absurdism mixed with horror (“The Hole” is eerily close to a nightmare I had once about a stinking hole in my face that sickened everyone around me), but each story, whether it ends well or sadly, etches a picture of the human conditions of love, cooperation, hubris and suffering. A man with clown shoes too big for him finds a defeated man with shoes too small and they trade, making life easier for both. A vain man is bested by his overtight pants. God becomes a jaded rock star and shows clearly that man is made in God’s image. A man wakes up to discover that he has changed into the handsomest man alive, but it doesn’t matter because everyone else has turned into Picasso-esque monstrosities who find him repellent.

But my favorite piece is “The Fancy Hairs.” A middle-aged man called Carl gets a perm and initially his friends circle him warily, unsure about his new hair, attuned to his new difference like dogs can smell fear. Carl begins to regret his fancy new hair, until the next week, when his friends all show up with fancy, permed hair, too. They stand around smoking, and whistling at young women, all with a new, if low-brow and not entirely useful, lease on life, but a new lease nonetheless.

I liked this book a lot. I will definitely be checking out more of Prunty’s work.