Every Cradle Is a Grave by Sarah Perry

This post originally appeared on I Read Odd Books

Book:  Every Cradle Is a Grave:  Rethinking the Ethics of Birth and Suicide

Author:  Sarah Perry

Type of Book:  Non-fiction, philosophy

Why Do I Consider This Book Odd:  Pretty self-explanatory.

Availability:  Published by Nine Banded Books, you can get a copy here:

You can also order a copy directly from the publisher.

Comments:  Sarah Perry wrote this book from a place of philosophical intellectualism and factual integrity.  She exhaustively researched the hows and whys of suicide and procreation and makes a very compelling case for making suicide accessible for people who do not want to live and for considering whether or not it is ethical to continue to create new humans whose lives may be more a burden to them than a gift.  As she deftly picks apart the arguments against suicide and antinatalism, she bestows upon mankind a dignity and respect for self that anti-suicide and pro-birth crusaders deny us as we are asked to suffer and to mindlessly recreate ourselves because of tyrannies of tradition and religious mores.

I very much want to discuss this book in a bloodless manner because the subject matter is so fraught with emotional reaction, much of it knee-jerk, that makes the topic hard to discuss in an intelligent way.  When you speak to people whose loved ones killed themselves, you hear them speak of the cowardice and selfishness of suicide.  When you talk of people who did not have children, you all too often hear others dismiss ethical childlessness as selfish, or insist that if only one had a child, one would know, really know, what true love means.  To approach a counter to such topics with emotion is pissing in the wind because the very basis for avoiding suicide and encouraging procreation is steeped in emotion.

But given my personal history and recent events in my life, I can only approach these topics – especially suicide – from a place of emotion and personal anecdote.  I hope that as I write from my id I do this topic justice.  This book really is a paradigm changer, and you don’t have to adopt an antinatalist world view for that to happen.  It is a book that argues against some of the most deeply ingrained habits of human existence – to remain living at all costs and to spread one’s seed far and wide – and it makes the case that our reason and self-awareness are not entirely a great gift and that possession of them should permit us to control how we decide to die rather than be used as a manipulative tool to keep us living.

And there is no way to discuss the entirety of this book.  Know that I will be unable to discuss large amounts of this book and that you need to read it yourself.  All I can do is discuss what I experienced when reading this book and how it relates to my life.

Sharing the Love

This post originally appeared on I Read Odd Books

I’ve had some serious insomnia lately, which means I’ve been up during the middle of the night, reading lunatic shit, mostly on Reddit. I’ve come across a couple of strange topics I wanted to share with you guys.

The first involves another lost German child. Not long ago I talked about the case of Tristan Bruebach, a German teenager killed brutally in a tunnel in Frankfurt in 1998. I had never heard of that particular MO before and the crime itself was utterly shocking. This time the child in question was literally lost. Dirk Schiller disappeared on a vacation with his family in the former East Germany in 1979. As in the family was walking to their car in a snow covered lot and the little boy disappeared without a trace.

His mother never gave up looking for him and there is a level of conspiracy attached to this case that gives even a skeptic like me pause. This site does a great job covering the case, explaining the Stasi connection, and a possible link to medical experimentation. This is a seriously twitchy case, and it’s made all the more twitchy given the release of the family’s Stasi files. I lost hours reading about this case.

The other strange tidbit I want to share is also from Reddit, and is amusing, bordering on hilarious, once you read enough to realize that your initial conclusion was incorrect and that the person in question is not into waterfowl bestiality. Readers, I give you /u/fuckswithducks. His comment history is a gold mine and I lost even more hours reading his deep love of rubber duckies, his encyclopedic knowledge of them as well as how he uses them in his sex life.

I shit you not, I read comment after comment to Mr Oddbooks until he pleaded with me to shut up. Here are some examples, all links as they were in the original comments.

Duck size is important:

Let’s talk about duck size. I’m really not interested in small ducks. On the other hand, big ducks are nice, but they’re just impractical. What the hell am I supposed to do with them?! My ideal duck size is 3-6 inches tall. Also, I don’t really like fat ducks. I’m just looking for nice, standard, medium-sized ducks like these.

It is possible to have a favorite rubber duck, and to know so much about that duck that people may think you are making shit up until they Google and realize you, in fact, know your shit, duck-wise:

I’m still searching for the manufacturer of my favorite rubber duck. Every few years the ducks show up in stores again (the last time I saw one was around 2008), but I’ve never been able to learn their origin. Here’s a bit of a back story about this duck (some info I’ve posted before, some is new):

In 1977, a toy company called Knickerbocker created a new toy called Ernie’s Rubber Duckie. Designed by famous toy inventor Henry Orenstein (patent USD260915), this toy would lay the foundation for one of the most iconic rubber ducks in history. In 1983, Knickerbocker was sold to Hasbro; which produced more of the ducks around 1985 through Playskool. Around that time, a Taiwanese factory got a hold of this toy and started creating generic knockoffs of it. By 1992, Playskool discontinued production of their rubber duck, but the Taiwanese factory continued on. Every few years, this anonymous factory produced replicas which would appear in toy stores across the United States.

Remember this stock photo? It appeared in everything from Photoshop tutorials to the default Windows user account profile picture. Some were even used in an experiment to test the pollution caused by different kinds of jet ski engines. Those particular ducks are now mounted on the desk of politician Mark DeSaulnier, D-Calif. The last time I ever saw them was in a World Market around 2008 (video evidence from 2005).

If you have one of these, feel free to check the bottom and I guarantee you’ll find the “Made in Taiwan”. They seem to all come from one source, yet I have never been able to track them down. My dream is to some day discover where they’re made and start my own store for them.

Edit: I want to thank all the people who have tried looking for me! Unfortunately, the search goes on. Several people have found very similar ducks, the closest probably being the Bath and Body Works ducks or this knockoff of the knockoff which is from China and is significantly lower quality.

Duck porn is a thing not limited to /u/fuckswithducks:

Thanks for doing an AMA! I have a more general question about Brazzers. In Wet Dreams! with Dani Jensen (2012), I noticed that you included a rubber duck in the shoot. In Splash Time with Jenna Ross (2013), you used 3 of the same duck. Does Brazzers have its own permanent prop collection? If so, can we get a tour and see some of the interesting things you’ve collected to use in videos over the years? I’m curious because you reuse the same rubber duck and I have seen other studios reuse other rubber ducks as well (for example, Bangbros reused this one 12)

But just because some porn companies recognize the erotic use of rubber ducks does not mean they make it easy for the average duck perv:

The generic video titles (e.g. “[Pornstar] rides huge dick”, “young bedroom solo”) and descriptions which are clearly copy/paste jobs. They make it really difficult to find porn when you’re searching for specific things. Really the only way to find porn with rubber ducks is to search for “bath” and then scroll through all the thumbnails for one. Plenty of porn videos set entirely in the bathroom won’t even mention it in the title/description, though. It’s simple SEO, people!

A fetish collection of rubber duckies can have a practical use as well, like for when your girlfriend takes up too much space in bed:

Came here to say this. There are plenty of passive-aggressive ways to win your space back. Personally, I like to stack rubber ducks on my girlfriend until she moves.

And sexual appreciation doesn’t always have to be about the ducks:

Sexual preferences aside, I think everyone can appreciate a nice set of boobs.

Part of me thinks this is a dedicated dada-esque account.  But most of me hopes this is real.  I really love /u/fuckswithducks and need him to abide on Reddit as long as he can.  I should probably send him some gold to show my appreciation.

You read anything recently that is weird or strange or unsettling?  Tell me about it!

Gun Fag Manifesto, edited by Hollister Kopp

This post originally appeared on I Read Odd Books

Book:  Gun Fag Manifesto

Author:  Edited by Hollister Kopp, foreword by Jim Goad

Type of Book:  Non-fiction, ‘zines

Why Do I Consider This Book Odd: Because it made me remember with fondness the old Loompanics Catalogue.

Availability:  Published by Nine Banded Books in 2013, you can get a copy here:

Comments: So, I read this a long time ago and somehow forgot to discuss it, which is a shame because I found it to be a funny and at times uncomfortable blast from the past.  I never read this ‘zine in its original format so this was entirely new to me even as it reminded me of the more humorous excesses of the old Loompanics catalogue and a bit of Paladin Press’ more gunnish releases.  God, I really miss the old days sometimes, wherein if you wanted to obtain and read really fucked up books you had to peruse a paper list of books that got mailed to your house and really alarmed postal officials.  I mean, I don’t miss it over much because it’s nice to hear about a book and be able to buy it immediately but sometimes I realize half the people reading here have only ever ordered outre books online and don’t remember the heady thrill of renting a post office box at a mail drop and ordering books that Focus on the Family insisted were occult and Satanic and also evil.  (Remind me to tell you all my “James Dobson mistook me for someone else and touched my arm twitch” story some day.)

Back to the book.  1994.  What a time for all of us who were alive! I graduated from college and started dating Mr Oddbooks.  OJ Simpson captivated us all as he engaged in a low speed chase in that white Ford Bronco.  Nancy Kerrigan got hit in the knee.  And Hollister Kopp edited this ‘zine.  This is a messed up ‘zine – completely politically incorrect, verging into outright sociopathy, and, in its own bizarre way, it is glorious.

Don’t get me wrong.  You all know that I am so liberal I should probably go straight to jail for stealing all your tax money to give to lesbian welfare crack babies.  I don’t get into racist propaganda and racial epithets make me nervous because I’m not wholly sure what my own ethnic background contains and what I do know is Irish and that’s almost never a good sign amongst Americans.  But I am also a pro-2A liberal.  We are rare, like white tigers, but unlike unicorns we really do exist.  I’m not a gun fag, like the editor of the ‘zine. And I really don’t miss the days when Mr Oddbooks would drag me to gun shows and I would end up listening to John Birchers explain to me why it is that blacks and women should never have been permitted to vote and that things went straight to hell after we started putting fluoride in the water, but there is something refreshing reading something so utterly unimpressed by basically everything that makes me who I am.

As we all know, Internet killed the Xerox-zine star.  I know the world seems really nuts because we have access to so much insanity online, but back in the old days you had to seek it out and when you found it you were less inclined to complain about it.  Were these zines online, the comments would have to be disabled.  I think part of the refreshing element of reading this zine compilation was the realization that I would not be expected, culturally, to engage in an argument when I was finished.  That having been said, this is an extremely hyperbolic collection.  A lot of really offensive content got crammed into three editions, and if you can’t embrace the weird when it is offensive, you will want to give this book and the rest of my discussion a miss. 

Biblio-sentimentality

This post originally appeared on I Read Odd Books

Mr Oddbooks and I had a moment at a recent book sale wherein we both agreed we needed to buy a specific book because of a letter he had found inside of it.  It was a coffee table book about sailing vessels (Mr Oddbooks is ex-Navy and longs for the coast like I long for the desert and here we both are in Austin) and was not particularly unique – he already had many books similar to this one.  But the letter inside pulled us to buy it.  The letter seemed as important as the book, if not more important, and as long as this book remains in our collection, that letter will remain inside the book, just as we found it.

I realized how often we both do this – purchase a book because something left in the book calls to us.  I’ve come to think of this tendency as “biblio-sentimentality.”  I have no idea how many books we have currently that we acquired due to our combined biblio-sentimentality, but I think I am going to record some of them here.  I have to think others are like this, buying books because they feel an emotional connection to them due to marks and items left in the book.  Perhaps others will enjoy seeing these books.  Perhaps this is just more of my extremely indulgent blogging style.  If so, no harm, but I can say that I would love to see any books you fine readers may have that you purchased due to biblio-sentimentality.  Feel free to include pictures in comments!

I divide biblio-sentimentality into three categories: inscriptions, marginalia, and ephemera.  Inscriptions, of course, are messages to a gift recipient or from the author, written generally on a title page, but could be included somewhere else in the book.  Marginalia refers to notes about the text written in the blank margins of books, but it can also include highlighting or underscoring text.  Ephemera refers to items found in the book that were not meant to be permanently left in the book, like letters, cards, bookmarks and similar.

In this entry I’m going to share some of our examples of biblio-sentimental ephemera, since this discussion was inspired by the sailing vessel book with the letter in it, and it seems fitting that I should begin with that book.

sailing 0Mr Oddbooks found this at a huge Half-Price Books warehouse sale. He really does have dozens of similar books but when the letter fell out of this book, he immediately read it and then put the book in our cart.
sailing 1A woman fighting for sobriety left this letter to herself in a coffee table book about sailing ships. Though it is unlikely anyone would be able to identify her through this letter, I redacted her name anyway. This was a rescue ephemera – this letter seems very important to me, a woman with my own addiction demons. It was unusual that this woman placed this letter in such a book – was she using the book as a make-shift lap desk? Did she think this large book was the best place to keep such a letter since huge books about sailing vessels aren’t usually the types of books most read in the average home?

It worries me that she forgot about the letter in this book, or that there is a worse reason that this letter was left behind in a book, like she lost her possessions in an eviction. Or maybe she worked the steps and is clean and has no need to remember this letter. Regardless, it seemed callous to both of us to leave this book with this letter behind. It needed to be saved and kept.  It seems very important to me even if I don’t know exactly why, outside of the shared experience of addiction.

Bleak Holiday by Hank Kirton

This post originally appeared on I Read Odd Books

Book: Bleak Holiday

Author: Hank Kirton

Type of Book: Fiction, short story collection

Why Do I Consider This Book Odd:  Because one of the stories ends with the following line:

And that guy turned out to be an asshole.

Availability: Published by Apophenia in 2014, you can get a copy here:

Comments:  Hank Kirton may be the best odd short story writer you’ve never heard of, and that sucks because he is rapidly becoming one of my favorite writers.  This is a near-flawless collection of short stories.  Of course, since it is a small press release it could be better edited, but even with that caveat this is still an excellent book.  Kirton has a style that is immediately identifiable as being Hank-like, yet his stories cover a lot of intellectual and literary ground.  He handles magical realism in a manner that I generally don’t expect from male authors, and some of his stories reminded me a bit of the sort of work Amelia Gray puts out – a sort of amusing, fey and ultimately good-spirited weirdness.  Then at other times he manages the dark, nasty, post-modern flatness I associate with the mundane horror of A.M. Homes. His stories evoke some of the best work done by some of the best odd writers, infused with the uneasy strangeness and overall noir I’ve come to associate with Kirton’s work.  I fancy I can see the veins Kirton mines for inspiration – one story even reminded me so much of an old R. Crumb comic that I had to scour the Internet to make sure I was remembering it correctly – but who knows?  That’s the danger of writing – you never know what a demented Pflugervillian housewife will think of when she reads your stories.

Kirton’s voice remains very strong, even as he reminds me of other artists, and with one exception, every story in this collection soars because the eclectic nature of these stories definitely works in its favor.  And the one story I didn’t particularly care for was because of my own deep distaste for the old Nancy Drew books.  The story, “Janet Pepper, Girl Detective: The Mystery of the Kitchen Cabinet,” is a parody of those tiresome books with a very adult twist and I can see how it’s amusing and how others would find it very funny.  I just remember all those gormless books being foisted upon me in grade school and how awful I found them, how boring they were, like chewing microwaved oatmeal, so this parody wasn’t that subversive to me given how little I could tolerate the original source.

So with that criticism out of the way, let me discuss the stories that I liked best in this 21-story collection.